Heinz Janisch: A Portrait of the Storyteller, Observer, and "Menschenbildner"

I. Introduction: Unveiling Heinz Janisch

A. Overview of Heinz Janisch

Heinz Janisch stands as a prominent and highly acclaimed contemporary Austrian author and journalist, particularly celebrated for his profound contributions to children’s and youth literature.His work, often characterized by a distinct lyrical tone and translated into numerous languages, has garnered international recognition, solidifying his place as a significant voice in modern letters.This global standing is underscored by recent prestigious accolades, most notably the Hans Christian Andersen Award for Writing in 2024 and the Christine-Nöstlinger-Preis in the same year.The Hans Christian Andersen Award, often referred to as the “Nobel Prize for children’s literature,” highlights the lifelong achievement and lasting impact of his extensive body of work.Janisch’s official website and various literary bodies confirm these honors, framing them as testaments to his dedication to crafting narratives that resonate deeply with readers of all ages.These recognitions serve not only as markers of a distinguished career but also as compelling reasons for a deeper exploration of the author and his multifaceted contributions.  

B. Report Objective and Scope

This report aims to provide a multi-faceted, in-depth understanding of Heinz Janisch, moving beyond readily available biographical data. The objective is to explore his observable public persona, delve into his creative ethos, and identify areas—termed “blindspots”—where further inquiry could yield richer insights into his life, work, and the nuances of his public engagement. The term “physiological treats,” as per the initial query, will be interpreted herein as observable physical characteristics, aspects of his public presentation, and discernible mannerisms derived from available data, primarily photographs and descriptions of his public appearances. “Blindspots” refer to under-discussed facets of his career, personal philosophy, or the specificities of his creative process that are not immediately apparent from standard biographical entries but could significantly enhance a comprehensive understanding of the author. The request for such nuanced information suggests a desire to comprehend the individual behind the accolades, seeking subtle cues and less-explored facets that contribute to a holistic portrait, rather than a mere summation of achievements. This necessitates an analytical approach that synthesizes diverse information to reveal underlying patterns and deeper meanings, moving beyond compilation to interpretation.

II. Biographical Tapestry: Life and Career

A. Formative Years and Educational Background

Heinz Janisch was born in 1960 in Güssing, a town in Burgenland, Austria.This region, situated near the Hungarian border, possesses a distinct cultural identity, historically serving as a crossroads. Following his early years in this more rural setting, Janisch pursued higher education in Vienna, where he studied German language and literature (Germanistik) and journalism (Publizistik).This academic background provided a strong foundation in linguistic and communicative expertise, skills that would become central to both his literary and journalistic endeavors. The juxtaposition of his upbringing in Burgenland and his academic and professional life in Vienna, a major European cultural capital, likely provided a rich internal tapestry of influences. This duality is not merely a historical footnote; Janisch continues to reside in both Vienna and Burgenland, suggesting an ongoing connection to these contrasting environments. This enduring link may well be a source of thematic diversity and a unique perspective in his work, possibly manifesting in his ability to find universal truths within specific, local contexts or in the breadth of characters and settings he explores.  

B. The Dual Path: Journalist at ORF and Literary Author

A defining characteristic of Heinz Janisch’s professional life is his long-standing dual career. Since 1982, he has been an employee of Österreichischer Rundfunk (ORF), the Austrian public broadcaster.Within ORF, he has notably served as an editor and “Gestalter” (designer/creator) for the esteemed Ö1 radio portrait series “Menschenbilder” (literally “Human Images” or “Portraits of People”).This role involves crafting in-depth audio profiles of various individuals. His official website and other biographical sources consistently highlight this significant aspect of his career. 

Parallel to his journalistic work, Janisch embarked on his literary career, with his first publications appearing in 1989.This marked the beginning of a prolific output that would see him become one of Austria’s most renowned authors, particularly in the realm of children’s and youth literature.  

The decades-long engagement with “Menschenbilder” appears to be more than just a day job; it represents a profound and continuous immersion in human stories and character. The very nature of creating detailed, empathetic portraits for this series—requiring deep listening, keen observation, and the ability to synthesize a life into a compelling narrative—would inevitably hone skills directly transferable to literary creation. His role as a “Gestalter"implies an active, creative shaping of these narratives, not merely passive editing. This journalistic craft likely serves as a direct wellspring for his literary creativity, sharpening his observational acuity and narrative techniques for portraying nuanced characters, even within the concise forms often found in children’s literature. Indeed, his widely cited literary philosophy of finding the extraordinary in the ordinary—that “nothing is too small for literature”—aligns seamlessly with the ethos of a program dedicated to exploring the depths of individual human lives. The skills are mutually reinforcing: crafting radio portraits would enhance his ability to create vivid literary characters, while his literary explorations of human nature would, in turn, inform his approach to the “Menschenbilder” series.  

C. Milestones and Public Life

Heinz Janisch maintains residences in both Vienna and his native Burgenland, reflecting a continued connection to these two significant Austrian locales.While public information indicates he has a family, details regarding his private life are, appropriately, not extensively publicized, allowing the focus to remain on his professional and creative contributions.  

Table 1: Key Biographical and Career Milestones

III. The Literary Universe of Heinz Janisch

A. A Prolific Pen: Navigating His Diverse Oeuvre

Heinz Janisch’s literary output is characterized by its remarkable breadth and volume, encompassing numerous stories, poems, picture books, children’s books, and works for adults.A hallmark of his picture book and children’s book creations is his extensive collaboration with a wide array of distinguished illustrators. Artists such as Lisbeth Zwerger, Helga Bansch, Aljoscha Blau, Maja Kastelic, Silke Leffler, Birgit Antoni, Michael Roher, Wolf Erlbruch, Hannes Binder, and Ana Sender have lent their visual interpretations to his texts, creating rich synergistic works.This practice of collaboration underscores an understanding of the picture book as a dual art form.  

His works have been published by a host of respected publishing houses, including Jungbrunnen Verlag, Annette Betz Verlag (and its imprint Betz), Tyrolia Verlag, NordSüd Verlag, Aufbau Verlag, Atlantis Verlag, and Sanssouci, among others.This wide range of publishing partnerships further attests to his versatility and the broad appeal of his writing. The sheer volume of his publications, coupled with the extensive list of artistic collaborators and publishers, highlights a career marked by sustained creativity, dedication, and adaptability.  

Table 2: Selected Major Works and Illustrative Themes

B. Thematic Constellations and Stylistic Signatures

Across Heinz Janisch’s diverse oeuvre, certain thematic constellations and stylistic signatures recur, creating a recognizable and distinctive literary voice. His works frequently explore the realms of imagination, dreams, wishes, and fears, often delving into the universal human search for happiness, belonging, and understanding.A profound appreciation for the beauty inherent in small, everyday things is a consistent thread, alongside gentle philosophical questions that invite reflection rather than providing definitive answers. Intergenerational connections, the wonders of nature, and the concept of transformation are also prominent themes that surface in various forms. 

Stylistically, Janisch is renowned for his lyrical and poetic prose.He is often described as a master of the short form, crafting concise narratives that resonate deeply.A key characteristic of his writing is the deliberate space it leaves for the reader’s own imagination and interpretation.While his stories can be humorous and, at times, touch upon the absurd, they are typically underpinned by a subtle philosophical depth that lends them enduring richness.Crucially, Janisch adopts a non-didactic approach; as noted in critical appraisals, “he has by no means the intention to teach or to preach”, preferring instead to offer an experience or a point of contemplation.  

These consistent stylistic choices—brevity, lyrical language, philosophical undertones, and a deliberate avoidance of overt moralizing—are not merely aesthetic preferences. They constitute what might be termed a “poetics of openness.” This approach actively invites the reader, whether child or adult, into a co-creative process. The text provides a spark, a carefully crafted “Nussschale” (nutshell) containing something “Hochkonzentriertes” (highly concentrated essence), as he described poetry in an interview.It is then up to the reader’s imagination, personal experiences, and reflections to complete the meaning. This philosophy is beautifully encapsulated in his own metaphor of books being a “Wundertüte” (lucky bag), where one opens them and allows oneself to be surprised.The impact of this openness is perhaps best articulated by a child’s insightful comment to Janisch: “Ich weiß, warum da so wenig steht! Damit ich viel Platz zum Nachdenken hab” (I know why there’s so little written! So I have lots of space to think).This active reader engagement is central to the experience of his literature.  

C. Core Creative Philosophy: “Nothing is Too Small for Literature”

A central tenet that illuminates Heinz Janisch’s entire approach to storytelling is the conviction that “nothing is too small for literature”.This philosophy, frequently cited by critics and award juries, underscores his remarkable ability to find the profound in the everyday and to illuminate the extraordinary within seemingly trivial objects, moments, or encounters.The Hans Christian Andersen Award jury, for instance, emphasized this aspect, stating, “To say that less is more is an understatement for Heinz, he maintains that nothing is too small for literature”.This perspective allows him to craft narratives that are both accessible and deeply resonant, demonstrating that significant stories can emerge from the quiet corners of life. It is this keen observational skill, combined with a poetic sensibility, that enables him to transform the mundane into the magical, inviting readers to see the world around them with fresh eyes and a heightened sense of wonder. This philosophy is not just a tagline but a fundamental operating principle evident throughout his diverse body of work.  

D. Pinnacle of Recognition: The Hans Christian Andersen Award and Other Laurels

The culmination of decades of literary dedication and excellence was vividly marked in 2024 when Heinz Janisch received the Hans Christian Andersen Award for Writing.This biennial award, bestowed by the International Board on Books for Young People (IBBY), is widely regarded as the “highest international distinction” in the field, often likened to a “Nobel Prize for children’s literature”.Its reception signifies a profound and lasting contribution to children’s literature on a global scale.  

The same year, Janisch was also honored with the prestigious Christine-Nöstlinger-Preis, an Austrian award that recognizes authors who give a voice to children and champion their perspectives, echoing the spirit of the celebrated author after whom it is named.These accolades join an already impressive list of honors accumulated throughout his career. These include the Grand Prize of the German Academy for Children’s and Youth Literature (2020) for his lifetime achievement, the Austrian Art Prize for Children’s and Youth Literature (2018), the internationally recognized Bologna Ragazzi Award (2006 for Rote Wangen), and multiple Austrian State Prizes for Children’s and Youth Literature and City of Vienna Children’s Book Prizes. 

While Janisch’s style is often characterized by its gentleness, poetic qualities, and philosophical undercurrents, the consistent high-level recognition for his work suggests a significant impact that goes beyond mere aesthetic appeal. His success in championing a more sophisticated, introspective, and open-ended approach to children’s literature—one that eschews simple entertainment or overt moral instruction in favor of ambiguity and reader engagement—can be seen as that of a “quiet revolutionary.” By creating works that are both accessible to children and rich enough for adult contemplation, and by receiving the highest international honors for this body of work, he has played a role in expanding the perceived boundaries and deepening the potential of children’s literature. This sustained acclaim implies an acknowledgment of his approach as a valuable and influential contribution to the field, subtly challenging conventional norms through its depth and artistic integrity.

IV. Observable Characteristics and Public Presentation (“Physiological Treats”)

A. Visual Impressions: An Analysis of Available Photographs

Available photographs of Heinz Janisch, many taken by the photographer Brigitte Friedrich and others associated with award announcements like those from IBBY, offer consistent visual impressions of his public presentation.Across these images, several common features emerge. Janisch typically has short, light-colored hair, which appears to be graying, and he consistently wears glasses. His attire often consists of a collared shirt, frequently layered with a dark-colored jacket or blazer, projecting a professional yet understated image. 

His facial expression in these photographs is generally gentle and thoughtful, often a neutral expression or a slight, approachable smile.For instance, a photo for “Podium Porträt” by Brigitte Friedrich shows him chest-up, slightly angled, with a neutral to gentle smile.Similarly, the IBBY Hans Christian Andersen Award winner photo depicts him with a gentle smile, looking directly at the camera.An Alamy stock photo from 2015, also by Brigitte Friedrich, though less detailed in the provided snippets regarding attire and expression, is noted as a portrait taken in a professional context.The consistency in his appearance across different years and contexts suggests a stable and considered public presentation.  

Table 3: Analysis of Visual Data for Observable Characteristics

B. The Voice of the Author: Insights from Interviews and Public Statements

Direct statements from Heinz Janisch in interviews and public contexts offer valuable insights into his intellectual, spiritual, and professional inclinations. His core creative philosophy, “nothing is too small for literature,” is a recurring motif, emphasizing his focus on finding significance in the seemingly insignificant.This is complemented by his charming metaphor of books as a “Wundertüte” (lucky bag), suggesting an element of surprise and personal discovery for the reader. 

In discussing his poetic craft, Janisch describes poems as “Nussschalen” (nutshells) that contain “Hochkonzentriertes” (a highly concentrated essence), deliberately leaving space for the reader’s thoughts and reflections.This notion of creating openings for the reader extends to his views on collaboration with illustrators. He believes that “Words and pictures should co-exist at the same level, and that means that author and illustrator should both be as free as possible to express themselves,” indicating a deep respect for the collaborative artistic process. 

His fascination with Ovid’s Metamorphoses reveals a profound interest in the theme of transformation, leading him to state, “Basically, you could say that we live every moment with some kind of change”.This suggests a worldview attuned to flux and development. Furthermore, interviews touching upon more personal beliefs show his perspective on prayer and God often intertwined with a poetic sensibility and a “Sehnsucht nach einem großen Du” (a longing for a great Thou/You), indicating a reflective and perhaps spiritual dimension to his thinking.These articulations provide a direct window into the mind of the author, complementing the understanding derived from his literary works.  

C. Crafting a Persona: The Storyteller, the Thinker, the Observer

Synthesizing the visual and verbal cues, Heinz Janisch’s public persona emerges as that of a thoughtful, articulate individual, deeply engaged with the nuances of language, human experience, and the natural world. He is presented as a dedicated craftsman of stories and a promoter of imagination in others. His long-standing role in creating “Menschenbilder” for ORF Radio further contributes to this persona, showcasing him as someone skilled in eliciting, understanding, and shaping human narratives. 

Across his interviews, the nature of his literary work, and his journalistic endeavors, a consistent image of a “quiet listener” and keen observer takes shape. His literary philosophy, which emphasizes leaving space for the reader’s imagination and interpretation, and his description of poetry as an “Angebot” (an offer or invitation), point to an individual who values the process of understanding and reflecting experience rather than imposing his own voice with overt force. The “Menschenbilder” role itself inherently requires profound listening and observational skills to create authentic and resonant portraits. His interview responses are typically reflective and considered, rather than declarative or performative.This is mirrored in his physical presentation, which consistently conveys a calm and thoughtful demeanor.This contrasts with more overtly performative authorial styles, suggesting that a core aspect of Janisch’s persona is about receiving, processing, and gently re-presenting the world, thereby inviting others into a shared space of contemplation and discovery.  

V. Illuminating the Shadows: Potential Blindspots and Avenues for Deeper Insight

While a considerable amount of information is available about Heinz Janisch’s acclaimed career and literary philosophy, certain areas remain less illuminated in the provided public-facing materials. Exploring these “blindspots” could offer an even more nuanced and comprehensive understanding of the author and his work.

A. Beyond the Editor’s Chair: Janisch’s Specific Impact and Philosophy within “Menschenbilder”

Janisch’s significant and decades-long role as an editor and “Gestalter” for the ORF radio series “Menschenbilder” is well-documented.However, the specific nature of his creative input, his distinct editorial philosophy for this highly regarded series, and the precise ways in which this immersive engagement with diverse human stories has shaped his personal worldview or specific literary themes remain largely unexplored in the available snippets. While it is inferred that this work complements his literary endeavors, details regarding his process—how he selects subjects, his interview style, or the techniques he employs to “gestalten” (shape) these audio portraits—are not readily apparent. A deeper investigation into his journalistic craft within “Menschenbilder” could reveal more explicit connections and reciprocal influences between his two professional domains.  

B. The Private Individual vs. The Public Author: Unexplored Motivations, Detailed Work Habits, and Personal Inspirations

The existing materials offer valuable glimpses into Janisch’s creative philosophy, such as his belief that “nothing is too small for literature"or his insights on transformation from Ovid.However, there is a lack of granular detail concerning his day-to-day writing process, specific work habits, the precise genesis of particular book ideas, or more intimate personal inspirations beyond a general appreciation for literature and nature. His official website (heinz-janisch.com) is mentioned, and while it provides biographical information and book lists, its capacity to reveal these more personal “behind-the-scenes” aspects of his creative life is not fully detailed in the research. Understanding the unstated personal experiences or formative encounters that might fuel his narratives could add another layer to the appreciation of his work.  

C. Nuances in Critical Reception: Under-discussed Interpretations or Critiques

The available information is overwhelmingly positive, focusing on his numerous awards, laudatory jury citations, and favorable reviews.While this reflects his esteemed position, a truly comprehensive understanding would benefit from seeking out a broader spectrum of critical perspectives. This might include academic analyses, comparative literary studies, or even constructive critiques that engage with his extensive body of work in more complex or challenging ways. Such nuanced interpretations could identify developmental phases in his writing, explore potential limitations, or offer alternative readings that go beyond immediate praise.  

D. Cultural Imprint: The Role of Austrian Identity and Context in His Works

Janisch’s Austrian origin and his continued life in Vienna and Burgenland are clear biographical facts.The Christine-Nöstlinger-Preis explicitly links him to another major Austrian children’s author, suggesting a connection to a local literary lineage.However, the specific ways in which Austrian culture, history, distinctive landscapes (like those of Burgenland), or particular literary traditions might inform his work—beyond general “world literature” influences such as Ovid—are not deeply elaborated. Exploring how his Burgenland/Vienna duality manifests in specific works, or whether Austrian folktales, historical nuances, or social particularities are subtly woven into his narratives, could reveal important dimensions of his creative identity and his place within the Austrian literary canon.  

E. The Process and Meaning of “Transformation”: Deeper Exploration

Heinz Janisch himself identifies “transformation” as a significant theme and personal interest, particularly highlighted in his engagement with Ovid’s Metamorphoses.He articulates this as a fundamental aspect of existence, stating, “we live every moment with some kind of change.” While this provides a conceptual starting point, a deeper exploration of how this multifaceted concept of transformation manifests across his broader original oeuvre—beyond adaptations—could be a rich avenue for inquiry. This might involve examining whether “transformation” appears primarily as character development, shifts in perception, literal metamorphosis in his more fantastical stories, or if it carries even deeper personal or philosophical underpinnings for him that are subtly expressed across his many books.  

Table 4: Identified Potential Blindspots and Questions for Further Research

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Addressing these areas could significantly enrich the existing understanding of Heinz Janisch, moving towards an even more complete and nuanced portrait of this distinguished author.

VI. Synthesis: A Holistic Portrait and Future Inquiries

A. Constructing a Multi-Dimensional Understanding of Heinz Janisch

Heinz Janisch emerges from this analysis as a figure of considerable depth and quiet influence in contemporary literature. He is, most visibly, the internationally acclaimed, award-winning author, whose lyrical and concise narratives have captivated readers of all ages. His recent accolades, including the Hans Christian Andersen Award and the Christine-Nöstlinger-Preis, affirm his status as a master storyteller whose works leave indelible marks.Simultaneously, he is the dedicated ORF journalist, the “Menschenbildner,” who for decades has crafted intimate radio portraits, honing an acute sensitivity to human experience.This dual career is not merely coincidental but appears deeply synergistic, with each role enriching the other.  

His public persona, as gleaned from visual and textual sources, is one of intellectual approachability and thoughtful observation—a “quiet listener” who values nuance and reflection.This persona aligns seamlessly with his literary output, which is characterized by a “poetics of openness.” His works are not prescriptive but invitational, offering philosophical touchstones and emotional resonance while empowering readers to engage their own imaginations and derive personal meaning.Central to his creative endeavor is the profound yet simple philosophy that “nothing is too small for literature,” a conviction that allows him to unearth the extraordinary in the fabric of everyday life.The interplay between his gentle, observant public self and his profound, imaginative literary creations forms the core of his distinctive contribution.  

B. Recommendations for Further Exploration

The identified blindspots (Section V) offer fertile ground for future scholarly inquiry and deeper appreciation of Heinz Janisch’s work and impact. Potential avenues include:

1. An Archival and Analytical Study of “Menschenbilder”: A focused analysis of selected “Menschenbilder” episodes conceived and shaped by Janisch could reveal specific narrative techniques, thematic preoccupations, or philosophical stances that directly parallel or inform his literary creations. Accessing ORF archives or interviews where he discusses his methodology for this program could be particularly insightful.
2. Thematic Exploration of “Transformation”: A comprehensive literary analysis across Janisch’s original works, specifically tracing the multifaceted theme of “transformation,” could yield a deeper understanding of its significance in his worldview and its varied manifestations in his storytelling—be it psychological, perceptual, or fantastical.
3. In-Depth Biographical Research: While respecting privacy, further research into less public aspects of his life, perhaps through more extensive interviews (if available or feasible), or detailed exploration of content on his personal website and related platforms, might shed more light on his personal work habits, the genesis of specific projects, and the deeper wellsprings of his inspiration.
4. Broader Critical and Academic Engagement: A systematic review of German-language (and other) academic databases and literary journals could uncover more nuanced scholarly articles, critical essays, or comparative studies that position Janisch’s work within broader literary, cultural, and pedagogical contexts.
5. Austrian Contextualization: Further research into the specific influences of Burgenland and Viennese culture, history, and landscape on his work, and a more detailed examination of his place within the Austrian literary tradition, could provide a richer understanding of his cultural embeddedness.

In conclusion, Heinz Janisch is far more than a prolific author of children’s books. He is a nuanced observer, a philosophical poet, and a skilled communicator whose body of work continues to invite exploration, reflection, and a renewed appreciation for the power of stories to illuminate the human condition. His contributions have significantly enriched contemporary literature, and the avenues for deeper understanding remain open and inviting.

Sources used in the report

de.wikipedia.orgHeinz Janisch - Wikipedia Opens in a new windowgoodreads.comHans Christian Andersen: The Journey of His Life by Heinz Janisch | Goodreads Opens in a new windowpublishdrive.com2024 Hans Christian Andersen Award Winners - Publish Drive Opens in a new windowthalia.atHeinz Janisch: Bücher & mehr online kaufen | Thalia.at Opens in a new windowpublishersweekly.comBologna 2024: Heinz Janisch and Sydney Smith Win 2024 Hans … Opens in a new windowpublishersweekly.comBooks by Heinz Janisch and Complete Book Reviews - Publishers Weekly Opens in a new windowamazon.deRote Wangen (Aufbau Bilderbücher) : Janisch, Heinz, Blau, Aljoscha - Amazon.de Opens in a new windowamazon.deEine Wolke in meinem Bett (Aufbau Bilderbücher) : Janisch, Heinz, Pin, Isabel - Amazon.de Opens in a new windowibby.orgHCAA 2024 Winner for Writing: Heinz Janish - IBBY.org Opens in a new windownorthsouth.comAuthors and Artists Heinz Janisch • NorthSouth Books Opens in a new windowtyroliaverlag.atDas Buch der Anfänge von Heinz Janisch - 978-3-7022-4312-8 … Opens in a new windowtyroliaverlag.atWie war das am Anfang? von Heinz Janisch - 978-3-7022-3369-3 … Opens in a new windowen.wikipedia.orgHeinz Janisch - Wikipedia Opens in a new windowkinder-jugendbuch-verlage.deAnnette Betz Verlag > Kinder- und Jugendbuchverlage A-Z Opens in a new windowperlentaucher.deHeinz Janisch - Heinz Janisch - 14 Bücher - Perlentaucher Opens in a new windowoe1.orf.atHeinz Janisch - oe1.ORF.at Opens in a new windowonlypicturebooks.comTag: Heinz Janisch - Only Picture Books Opens in a new windowpodiumliteratur.atPodium Porträt 103 - Heinz Janisch - Literaturkreis Schloß … Opens in a new windowheinz-janisch.comSchriftsteller › Heinz Janisch Opens in a new windowalamy.comHeinz Janisch, 2015 Stock Photo - Alamy Opens in a new windowandreaskueckleselust.com[Rezension] Heinz Janisch – Hans Christian Andersen. Die Reise seines Lebens/ mit Illustrationen von Maja Kastelic - leselust Opens in a new windowbuchhexe.comRita von Heinz Janisch | Rezension von der Buchhexe Opens in a new windownorthsouth.comChange in Every Moment • NorthSouth Books Opens in a new windowonb.ac.atAuf der Suche nach Heinz Janisch - Österreichische Nationalbibliothek Opens in a new windowmeinekirchenzeitung.atHeinz Janisch im Interview: Sehnsucht nach dem Du - Tirol | TIROLER Sonntag Opens in a new windowheinz-janisch.comSchriftsteller › Heinz Janisch Opens in a new windowbildhauer.wienMenschenbilder – Ö1 – Giovanni Rindler Opens in a new windowibby.org2024 Hans Christian Andersen Award - IBBY.org Opens in a new windowfile770.comHans Christian Andersen Award | File 770 Opens in a new window

Sources read but not used in the report

onlypicturebooks.comMonth: August 2020 - Only Picture Books Opens in a new windowyoutube.com“I have a Little Problem,” said Little Bear by Heinz Janisch - YouTube Opens in a new windowamazon.comHeinz Janisch: Books - Amazon.com Opens in a new windowyoutube.comI Have a Little Problem, Said The Bear by Heinz Janisch | Kids Book Read Alouds Opens in a new windowkidinthecorner.orgKindness Reading Corner Opens in a new windowamazon.comSelfish Giant (minedition minibooks): Wilde, Oscar, Zwerger, Lisbeth: 9789888240999 - Amazon.com Opens in a new windowthryft.asiaAll Children’s – Page 174 - Thryft Opens in a new windowalamy.comHeinz janisch hi-res stock photography and images - Alamy Opens in a new windowmeinbezirk.atLesung von Heinz Janisch - MeinBezirk.at Opens in a new windowsimonandschuster.comHeinz Janisch | Official Publisher Page - Simon & Schuster Opens in a new windowibby.orgwww.ibby.org Opens in a new windowbarnesandnoble.comHans Christian Andersen: The Journey of His Life - Barnes & Noble Opens in a new window

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